The missionaries and collaborators of the Fraternity (FIHF) use theater techniques to minimize traumas in humanitarian crises.
The theater is one of the most ancient artistic manifestations of humankind. By means of this art we can express our feelings and emotions. During humanitarian crises, the drama practices can be instrumental in dealing with the most diverse emotions: fear, anger, sadness, insecurity… They help to mitigate possible traumas developed along the migration processes of the refugees.
To celebrate Theatre Day observed in Brazil on September 19th, the Fraternity – International Humanitarian Federation (FIHF) emphasizes the work that has been done in the shelters of the Roraima Mission with Venezuelan migrants and refugees. The missionary, Débora Murta, used theater techniques in activities with children and adolescents in the Pintolândia Shelter.
The missionary describes how vital these activities are in helping integrate children and youth from the shelters into projects involving painting, music, storytelling, free drawings, poems and, more specifically, theater. Art definitely contributes to “the development of both body and emotional expressiveness through which they can reshape their integration into society. Dramatizing on stage enhances their self-knowledge and helps them build their own identity with the environment in which they now belong.”
Débora points out that theatrical techniques can contribute greatly to the healing of traumas caused by migration. Acting develops their creativity, and brings lightness and hope to their lives. “Many traumatized people get stuck in their problems and pain, unable to envision any solution. The intention is then to change the focus of their heavy thoughts, even if only for very brief moments. In this interval they are able to breathe and dream of a new future. Many get stuck in that problem and concerns, instead of thinking of solutions.”
In practice
To celebrate the International Day of Indigenous People, a group of children was gathered to produce a theatrical play. The play brings about the main aspects of their culture through the elements of nature, and concepts such as empathy, altruism and unity among the members of the Warao community.
During the delivery of the multi-language health booklets, a scene from Warao’s daily life was also dramatized: a sick person is treated at a traditional Health Center, after the wisirato (Warao shaman) failed to heal them.
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Note: Some photos were taken before the pandemic period